American Gangster Cinema: From Little Caesar to Pulp Fiction

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Introduction

At any rate, Mason will no doubt sell many copies elsewhere, as this book is extremely well-researched and very useful. In the Introduction, Mason tackles matters of genre.


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What is a gangster film? When and where does it intersect with film noir?


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  • Mason is quite right to remind us diplomatically that critics have often spread restrictive and reductive visions of the genre. Indeed gangster films have frequently been classified in a rather simplistic and artificial manner. Because the early s classic three Little Caesar , The Public Enemy and Scarface have persistently been seen as "paradigmatic examples," xiv must we exclude films that do not exactly fit the same thematics and cultural concerns?

    In the seven chapters that follow, Mason practices what he amusingly calls "unashamed textual analysis. No—I want to keep shopping.

    Introduction | SpringerLink

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